Caseroom

Name
Caseroom
About
The Caseroom is part of the technical facilities in the Communication Design Department of Glasgow School of Art and provides a range of traditional and digital printing facilities.

It is run by designer and researcher Edwin Pickstone. Artists, designers, publishers, record companies together with GSA students are usual visitors of Caseroom, looking for Edwin’s advice and collaboration.

Learn more: http://www.mybookcase.org/my-bookcase-visits-the-case-room-at-glasgow-school-of-art/
Website
http://www.gsa.ac.uk/about-gsa/our-structure-(1)/technical-support
Location
Glasgow

The Oxford Companion to the Book by Michael F.Suarez, S.J. H.R. Woudhuysen

In Caseroom's collection

LIBRICIDE. The Regime-Sponsored Destruction of Books and Libraries in the Twentieth Century by Rebecca Knuth

In Caseroom's collection

The Library at Night by Alberto Manguel

In Caseroom's collection

A Book of The Book. Some Works & Projections About The Book & Writing by Jerome Rothenberg & Steven Clay

In Caseroom's collection

While You’re Reading by Gerard Unger

In Caseroom's collection

The Coming of The Book. The Impact of Printing 1450-1800 by Lucien Febvre & Henri-Jean Martin

In Caseroom's collection

This is Not the End of the Book by J-C. Carrière & U. Eco

In Caseroom's collection

The Enemies of Books by William Blades

In Caseroom's collection

I Read Where I Am. Exploring New Information Cultures by M. GERRITZEN, G. LOVINK, M. KAMPMAN

In Caseroom's collection

A Short History of the Printed Word by W. CHAPPELL, R. BRINGHURST

In Caseroom's collection

The Story of the Alphabet by J. R. BIGGS

In Caseroom's collection

The Birth of Writing by R. Claiborne

In Caseroom's collection

PAPER. AN ELEGY by I. Sansom

In Caseroom's collection

The Life of Samuel Johnson LLD. Exhibiting a View of Literature and Literary Men in Great Britain for Near Half a Century during which he flourished by J. Boswell

In Caseroom's collection

Caught in the Web of Words. James Murray and the Oxford English Dictionary by K. M. Elisabeth Murray

In Caseroom's collection

DEVILS. Their Origins and History by J. Charles Wall

In Caseroom's collection

The Devil’s Dictionary by A. Bierce

In Caseroom's collection

Neo-Classicism by H. Honour

In Caseroom's collection

Alphabet and Image by R. Harling

In Caseroom's collection

Holzschnitte by H. B. Grien

In Caseroom's collection

Be Nice Share Everything Have Fun by Kunstverein München

In Caseroom's collection

Eric Gill. The Engravings by C. Skelton

In Caseroom's collection

The Press by W. Papas

In Caseroom's collection

Reading in the Brain. The New Science of How We Read by S. Dehaene

In Caseroom's collection

The Medium is the Massage: An Inventory of Effects by Marshall McLuhan & Quentin Fiore

In Caseroom's collection

Books as History: The Importance of Books Beyond Their Texts by David Pearson

In Caseroom's collection

Brown’s Index to Photocomposition Typography by Bruce Brown

In Caseroom's collection

Interglossa by Lancelot Hogben

In Caseroom's collection

The Complete Plain Words by Sir Ernest Gowers

In Caseroom's collection

Mechanik Exercises on the Whole Art of Printing by Joseph Moxon, Herbert Davis & Harry Carter, eds.

In Caseroom's collection

Eye Magazine, Issue 84

In Caseroom's collection

Book typography 1815-1965 in Europe and the United States of America by Kenneth Day

In Caseroom's collection

The Foulis Press and the Foulis Academy: Glasgow’s Eighteenth Century School of Art and Design by George Fairfull-Smith

In Caseroom's collection

Flowers & Flourishes by John Ryder

In Caseroom's collection

The Case for Legibility by John Ryder

In Caseroom's collection

Pi : A hodge-podge of the letters, papers, and addresses written during the last sixty years by Bruce Rogers

In Caseroom's collection

The Pentateuch of printing, with a chapter on Judges by William Blades

In Caseroom's collection

Art-Nonsense and Other Essays by Eric Gill

In Caseroom's collection

Letter Forms and Type Designs of Eric Gill by Robert Harling

In Caseroom's collection

Matrix 30: A Review for Printers & Bibliophiles by John and Rosalind Randle, ed.

In Caseroom's collection

Offprint from Matrix 23 by John and Rosalind Randle, ed.

In Caseroom's collection

Paper: Material of a Thousand Uses by The Reed Paper Group

In Caseroom's collection

Square, Circle, Triangle by Bruno Munari

In Caseroom's collection

Five Hundred Years of Printing by S. H. Steinberg

In Caseroom's collection

The Crystal Goblet: Sixteen Essays on Typography by Beatrice Warde

In Caseroom's collection

Typoésie by Jérôme Peignot

In Caseroom's collection

Pioneers of Modern Typography by Herbert Spencer

In Caseroom's collection

Printed Matter, Mainly Books by Jost Hochuli

In Caseroom's collection

Berthold Wolpe: A Retrospective Survey by Susan Shaw

In Caseroom's collection

Eighty Years of Book Cover Design by Joseph Connolly

In Caseroom's collection

Finer Points in the Spacing and Arrangement of Type by Geoffrey Dowding

In Caseroom's collection

The Art of Looking Sideways by Alan Fletcher

In Caseroom's collection

The London Compositor, Documents Re Wages, Working Conditions & Customs Of The London Printing Trade 1785-1900 by Ellic Howe

In Caseroom's collection

E. for Additives: The Complete E Number Guide by Maurice Hanssen

In Caseroom's collection

File Room by Dayanita Singh

In Caseroom's collection

Gustave Doré by Millicent Rose

In Caseroom's collection

Ornamentation and Illustrations from the Kelmscott Chaucer by William Morris

In Caseroom's collection

Decorative Alphabets and Initials by Alexander Nesbitt

In Caseroom's collection

Unit 7 William Hogarth by Amuchastegui

In Caseroom's collection

Cartouches and Decorative Small Frames by Edmund Vincent Gillon

In Caseroom's collection

Tombstone Lettering in the British Isles by Alan Bartram

In Caseroom's collection

Street Name Lettering in the British Isles by Alan Bartram

In Caseroom's collection

Fascia Lettering in the British Isles by Alan Bartram

In Caseroom's collection

Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houedard by Dom Sylvester Houedard

In Caseroom's collection

Wood Engravings by Thomas Bewick by John Rayner

In Caseroom's collection

Weingart: Typography / Wege zur Typografie: My Way to Typography by Wolfgang Weingart

In Caseroom's collection

Blast by Wyndham Lewis & Paul Edwards

In Caseroom's collection

Typeforms: A History by Alan Bartram

In Caseroom's collection

H. N. Werkman (Monographics) by A.W. Purvis

In Caseroom's collection

Public Address System. Poster Speechness by Typograhpers by A. Lewis, H. Warden, T. Winterburn, P. Finn

In Caseroom's collection

Exotic Alphabets and Ornament by William Rowe

In Caseroom's collection

Printed Matter/Drukwerk by Karel Martens

In Caseroom's collection

The Wood Engravings of Lucien Pissarro by Lora Urbanelli

In Caseroom's collection

Book Design in Switzerland by Jost Hochuli

In Caseroom's collection

A Pictorial Guide to the Lakeland Fells: Book Five, The Northern Fells by A. Wainwright

In Caseroom's collection

The Form of the Book: Essays on the Morality of Good Design by Jan Tschichold

In Caseroom's collection

The Liberated Page: A Typographica Anthology by Herbert Spencer

In Caseroom's collection

Methods of Book Design: Practice of an Industrial Craft by Hugh Williamson

In Caseroom's collection

The Pleasure of the Text by Roland Barthes

In Caseroom's collection

Print at Work by Noel Brown

In Caseroom's collection

Type, Spacing Material, Economy Founts, Piece Borders, Rule and Strip Borders, Catalogue E39

In Caseroom's collection